an untitled blank space (1)
       
     
an untitled blank space (2)
       
     
an untitled blank space (3)
       
     
an untitled blank space (4)
       
     
neohabitat
       
     
(Untitled) Copper 5
       
     
1935 French
       
     
Abandonment of the Solid
       
     
Symmetric Tectonics (an ode to Patch Dynamics)
       
     
Untitled (Black and gold on white)
       
     
       
     
an untitled blank space (1)
       
     
an untitled blank space (1)

"an untitled blank space (1)"

a study for cement

approx. 26" x 40" 

whiteout, pigment inks on paper

2015

 

 

an untitled blank space (2)
       
     
an untitled blank space (2)

"an untitled blank space (2)"

a study for cement

approx. 40" x 26" 

whiteout, pigment inks on paper

2015

an untitled blank space (3)
       
     
an untitled blank space (3)

"an untitled blank space (3)"

a study for cement

approx. 40" x 26" 

whiteout, pigment inks on paper

2015

an untitled blank space (4)
       
     
an untitled blank space (4)

"an untitled blank space (4)"

a study for cement

approx. 40" x 26" 

whiteout, pigment inks on paper

2015

neohabitat
       
     
neohabitat

neohabitat

a study for mobil housing in motion

hand cut foam core and fishing line

HDLU Museum, Zagreb, Croatia

2013

(Untitled) Copper 5
       
     
(Untitled) Copper 5

(Untitled) Copper 5

Cooper pigment, whiteout, inks, copper leafing on paper

120.25" x 98.875"

2012

1935 French
       
     
1935 French

1935 French

Based on a failed proposal for the French Pavilion of
1935 World's Fair 

Pigments, ink, and whiteout on found paper

16" x 16"

2011

Abandonment of the Solid
       
     
Abandonment of the Solid

Abandonment of the Solid

Installation View

Spray paint, gold and copper leafing, whiteout, acrylic, hand cut foam core and fishing line

Dimension Variable

2012

Symmetric Tectonics (an ode to Patch Dynamics)
       
     
Symmetric Tectonics (an ode to Patch Dynamics)

Symmetric Tectonics (an ode to Patch Dynamics)

Site Specific Installation at The James Gallery

Spray paints, pigments, acrylics, whiteout, inks, hand cut foam core and fishing line

Dimension Variable

2013

Untitled (Black and gold on white)
       
     
Untitled (Black and gold on white)

Untitled (Black and gold on white)

Based on the topographic boundaries of the border conflicts surrounding the West Bank 

Inks, acrylics and whiteout on paper

51" x 116"

2008 -12

 

       
     
expo67

 

"Structures for the Improbable: expo’67" is a new video piece based on a perfect 16 minuets of super 8 footage taken by my father, of the world’s expo ’67 in Montreal. The contents thoroughly take the viewer through expo’67’s groundbreaking architecture, from the inverted pyramid by Canada to the massive sweeping slope of USSR’s rooftop and then onto Buckminster Fuller’s geodesic dome (plus a dozen more countries). Every structure was built to reflect the best from each country setting an example and revealing to the world how and what that country was all about, including how they see themselves; the government and the people. These temporary structures became portraits of these places. And thus rethinking or re-imagining their ideas of these countries. They contain an atmosphere where the viewer can feel the evolving texture of structure with their eyes and move around it with their bodies. It is a state of social architecture in flux where I want to carve out a different way of visual understanding and examining what humans impose on landscapes and impose on ourselves, ultimately to discover who we are.